Jim Pagiamtzis Review
The journey a family takes from an opportunity to instant wealth. They opportunist take an impressive approach to infiltrate a wealthy Park family which in the beginning seamed like a perfect plan until they faces challenges which takes them down the road of deception to betrayal.
The climate ending will have you wondering are the ready to face the consequences of not having a plan
10 out of 10 stars
Movie Plot
A
glorious success and smashing box-office hit for Korean auteur Bong
Joon-ho — who returns home after his foreign adventures in Snowpiercer and Okja — the Palme d'Or–winning Parasite is a politically charged cinematic wonder.
Described by Bong himself as "a comedy without clowns and a tragedy without villains," the film moves quickly from one tone to another, mixing pathos and satire with thrills and drama, in a perfectly controlled blend of many different genres.
A vertical story of class struggle — punctuated by staircase scenes going from mouldy basements to top floors, from darkness to breezy spaces designed by star architects — Parasite observes and dissects with surgical precision the life of two families of different social backgrounds.
Ki-taek (Song Kang-ho) is a good-for-nothing, unemployed family man, patriarch of a family of grifters — his wife Chung-sook (Chang Hyae-jin), his clever twenty-something daughter Ki-jung (Park So-dam), and his son Ki-woo (Choi Woo-shik) — who live in an overcrowded, sordid basement. The Parks, on the other hand, live in a fabulous house with their teenage daughter Da-hye and terribly spoiled son Da-song, who has suffered a childhood trauma that occasionally causes him seizures and strange behaviour. When, due to an unexpected stroke of luck, Ki-woo is hired by the Parks to be the private English tutor of Da-hye, the destinies of the two families cross. Their explosive meeting exposes the merciless evils of class inequalities, culminating in a powerful and utterly original outcome.
Described by Bong himself as "a comedy without clowns and a tragedy without villains," the film moves quickly from one tone to another, mixing pathos and satire with thrills and drama, in a perfectly controlled blend of many different genres.
A vertical story of class struggle — punctuated by staircase scenes going from mouldy basements to top floors, from darkness to breezy spaces designed by star architects — Parasite observes and dissects with surgical precision the life of two families of different social backgrounds.
Ki-taek (Song Kang-ho) is a good-for-nothing, unemployed family man, patriarch of a family of grifters — his wife Chung-sook (Chang Hyae-jin), his clever twenty-something daughter Ki-jung (Park So-dam), and his son Ki-woo (Choi Woo-shik) — who live in an overcrowded, sordid basement. The Parks, on the other hand, live in a fabulous house with their teenage daughter Da-hye and terribly spoiled son Da-song, who has suffered a childhood trauma that occasionally causes him seizures and strange behaviour. When, due to an unexpected stroke of luck, Ki-woo is hired by the Parks to be the private English tutor of Da-hye, the destinies of the two families cross. Their explosive meeting exposes the merciless evils of class inequalities, culminating in a powerful and utterly original outcome.
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